Author Archives: David
Before We Vanish is a return to a rarely-seen side of Kiyoshi Kurosawa – a puckish, tongue-in-cheek take on the atmospheric horror that is the master’s stock-in-trade. Though he’s much better known for his deadly serious supernatural horror like Kairo … Continue reading
I happened to watch a while back, and then was surprised to see that notorious grindhouse director Ted V. Mikels had just recently passed away. I wish this could be a better epigraph, but it’s a pretty terrible movie – … Continue reading
Not to damn Doctor Strange with faint praise, but the film definitely reaches the upper echelons of Marvel movies, hitting that entertaining and workmanlike sweet spot while not quite ever achieving cinematic brilliance. Doctor Strange is, as has been widely … Continue reading
This Spanish/Italian co-production is surprisingly smart for its era, mingling straight-up Romero-esque zombie action with the anti-authoritarian paranoia and ecological concerns of The Crazies or Grapes of Death.
Kiyoshi Kurosawa’s latest horror film represents a major change in at least one respect. Filming in French, with a non-Japanese cast, takes Kurosawa out of his comfort zone, but he demonstrates that his touch with mood and actors remains constant … Continue reading
Takashi Miike’s Blade of the Immortal is an adaptation of the long-running (30 volumes) and extremely popular supernatural samurai manga about an immortal ronin named Manji. I never made it past the first volume of the series, but it’s easy … Continue reading
Trick ‘R Treat is a interesting recent take on the ’60s and ’80s phenomenon of the horror anthology film with some good points to recommend it. I enjoyed the novelty of an anthology that carefully weaved the threads of its … Continue reading
I was poking around in Amazon Prime the other day when I came across a movie I’d never heard of, The Rift. Cause for excitement? Not necessarily, low budget underwater monster flicks are not uncommon, and rarely entertaining enough to … Continue reading
Based on a manga by enfant terrible Kyoko Okazaki, this collaboration between photographer-turned-director Mika Ninagawa and controversial idol/actress Erica Sawajiri is a fascinating bit of Cronenbergian body horror set in the world of fashion and plastic surgery.