Category Archives: Reviews
This Spanish/Italian co-production is surprisingly smart for its era, mingling straight-up Romero-esque zombie action with the anti-authoritarian paranoia and ecological concerns of The Crazies or Grapes of Death.
Kiyoshi Kurosawa’s latest horror film represents a major change in at least one respect. Filming in French, with a non-Japanese cast, takes Kurosawa out of his comfort zone, but he demonstrates that his touch with mood and actors remains constant … Continue reading
Takashi Miike’s Blade of the Immortal is an adaptation of the long-running (30 volumes) and extremely popular supernatural samurai manga about an immortal ronin named Manji. I never made it past the first volume of the series, but it’s easy … Continue reading
Trick ‘R Treat is a interesting recent take on the ’60s and ’80s phenomenon of the horror anthology film with some good points to recommend it. I enjoyed the novelty of an anthology that carefully weaved the threads of its … Continue reading
I was poking around in Amazon Prime the other day when I came across a movie I’d never heard of, The Rift. Cause for excitement? Not necessarily, low budget underwater monster flicks are not uncommon, and rarely entertaining enough to … Continue reading
Based on a manga by enfant terrible Kyoko Okazaki, this collaboration between photographer-turned-director Mika Ninagawa and controversial idol/actress Erica Sawajiri is a fascinating bit of Cronenbergian body horror set in the world of fashion and plastic surgery.
The Throne is a perfect example of turgid, by-the-numbers Korean historical drama. This looong story of about a medieval king who infamously locked his son in a rice chest for 8 days until he died is full of weeping and … Continue reading
I’ve seen a lot of crazy old Turkish genre movies over the years, ranging from the relatively well-crafted and genuinely enjoyable Kilink and Tarkan films to bananas mindbenders like Turkish Superman and 3 Dev Adam, in which Turkish El Santo … Continue reading
Reign of Assassins is one of the best wu xia films of the past decade, marrying old school pleasures with comic book aesthetics and inventive action instead of relying on the grim seriousness mandated by the Hero model. Characterization is … Continue reading