Category Archives: Reviews

NYAFF 2017 Review: Split (South Korea 2016)

The festival program describes Split as a mash-up of Rain Man and Kingpin, and that’s exactly right.  The problem is that there is way too much Rain Man, and way too little Kingpin.  It’s a bowling dramedy, but weighted heavily … Continue reading

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NYAFF 2017 Review: Kfc (Vietnam 2017)

Kfc starts out with the opposite of the Fargo disclaimer – a emphatic reassurance that the film’s events are purely fictional.  Whether that’s a reaction against Fargo or just an attempt not to get sued, I don’t know, because Kfc … Continue reading

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NYAFF 2017 Review:  Extraordinary Mission (China 2017)

Extraordinary Mission is exactly the kind of movie that Hong Kong as always excelled at – a twisty undercover cop thriller that frequently breaks out into no-holds-barred action scenes.  Very much in the spirit of its direct cinematic forebears like … Continue reading

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NYAFF 2017 Review: Bad Genius (Thailand 2017)

Bad Genius makes me feel like the Thai film industry just leveled up. I’ve watched a lot of Thai movies. There’s a ton of great action even beyond the filmography of Tony Jaa (stuff like Dynamite Warriors and Power Kids), … Continue reading

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NYAFF 2017 Review:  Saving Sally (Phillippines 2016)

I really enjoyed Saving Sally, the passion project of director Avid Liongoren and screenwriter Charlene Sawit.  The film is bursting with creativity, the leads are sweet and likable, and the film has a lovely “Blues Clues meets Liquid Television” aesthetic … Continue reading

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Review: Belladonna of Sadness (Japan 1973)

Wow, that was one hell of an acid trip of a movie. A remaster and re-release of an early animated film produced by Osamu Tezuka, this film is completely unique, the closest comparison being the more outré works of Ralph … Continue reading

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Review: Joe (USA 1970)

Joe has a weird, outsized reputation that contrasts with its relative obscurity – it is a film more talked about than watched. And Joe is a truly odd duck, a Cannon-produced hippie-sploitation movie that points an accusing finger at the … Continue reading

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Review: Lost in Paris aka Paris pieds nus (France/Belgium 2016)

God, I love when a movie really knows how to use color.  Most films nowadays experiment with monochrome or tints, but Lost in Paris is full of old school technicolor, Jacques Demy-flavor colors – luminescent greens, candy reds, blues and … Continue reading

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Review: Tatara Samurai (Japan 2017)

Tatara Samurai is a modern, big budgeted jidaigeki (period film) following a peasant blacksmith who attempts to reject his traditional role and small town life in order to become a samurai, set against the backdrop of Oda Nobunaga’s rise to … Continue reading

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Review: The Neon Demon (France/Denmark/USA 2016)

Nicholas Winding Refn’s fable-like dissection of the feminine beauty standard is a truly odd duck. Visually gorgeous, and cold as ice, this story of a young model’s attempts to make it in Los Angeles often zags when you expect it … Continue reading

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