Tag Archives: USA

Review: Da 5 Bloods (USA 2020)

I liked it just fine overall, but didn’t think it was one of Lee’s stronger films – too much that didn’t work. But in lieu of a real review (having trouble being coherent on this one – hard to disentangle … Continue reading

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Review: The Lodge (USA 2019)

I didn’t much care for Goodnight Mommy, but I thought it had a certain undeniable level of quality and creepiness. This? This was straight up garbage, with plot points lifted from much better movies and noisy music cues substituting for … Continue reading

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Review: Color Out of Space (USA 2019)

I hate to say it, but I think Richard Stanley would have been better off not casting Nic Cage in this. I enjoy an unhinged Cage performance as much as the next guy, but every scene he was in was … Continue reading

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Review: Split Second (USA 1992)

Where has this movie been all my life? In all seriousness, how did I not stumble across this on late night Showtime or Cinemax in the 90’s? For the first couple of minutes I thought it was dumb as hell … Continue reading

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Review: The Perfection (2019)

I am genuinely uncertain whether what I just watched was terrible terrible, or hilariously awesomely terrible. And I’m not sure if the director and cast know either. But I wasn’t bored. I attended a screening with a Q&A from director … Continue reading

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Review: The Ranger (USA 2018)

The Ranger, directed by Jenn Wexler and co-written by Wexler and Giaco Furino, is a fun, tight, modern indie slasher, in the tradition of “roll up your sleeves” regional splatter flicks like The Mutilatorand “punks vs. hicks” schlock like Punk … Continue reading

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Review: Shanty Tramp (USA 1967)

CSB’s Jeff talked up the glories of this low-budget hicksploitation movie for years, so when the Brooklyn Alamo screened it, we had to go. Fortunately, the movie lived up (lived down?) to its reputation, with plenty of go-go dancing, race-baiting, … Continue reading

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Review: Downrange (USA 2018)

Downrange is the latest step in Japanese director Ryuhei Kitamura’s gradual move into the US market. Kitamura follows in the footsteps of luminaries of Asian cinema like Tsui Hark and John Woo, who were also set out to toil in … Continue reading

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Review: Mom and Dad (USA 2017)

Mom and Dad, the latest film from Brian Taylor, one-half of the pair of madmen behind the miraculous Crank films, is similarly … well, apeshit bananas for lack of a better term. Taylor, working from his own screenplay, posits a … Continue reading

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Review: Everybody Wants Some!! (USA 2016)

I’m not a Richard Linklater fanboy by any stretch of the imagination, and Everybody Wants Some is slight even by his standards, but damned if this wasn’t one of the most purely enjoyable films I’ve seen in years.

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