Creepy marks something of a return to form for the one-time po-mo J-horror master Kiyoshi Kurosawa. There was a point in the late 1990s and early 2000s when Kurosawa was one of the most exciting filmmakers working, and his every film was a cause for celebration. Unfortunately, after an string of innovative work that included Kairo, Doppelganger, Charisma, Séance, Cure and Bright Future, Kurosawa began to languish, retreading old ground with mediocre films like Loft and Retribution, and temporarily trying on new identities with the well-received Tokyo Sonata or his oddity Beautiful New Bay Area Project. Continue reading
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