Tag Archives: 2018

Review: Luz (Germany 2018)

A borderline-experimental possession horror film, Luz straddles the line between arthouse and horror, with enough unsettling atmosphere, blood, and nudity to satisfy gorehounds, but an avant-garde approach that wouldn’t seem out of place in a museum installation. It can take … Continue reading

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Review: The Ranger (USA 2018)

The Ranger, directed by Jenn Wexler and co-written by Wexler and Giaco Furino, is a fun, tight, modern indie slasher, in the tradition of “roll up your sleeves” regional splatter flicks like The Mutilatorand “punks vs. hicks” schlock like Punk … Continue reading

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CSB Interview with Kanata Wolf, Director of Smokin’ On the Moon – NYAFF 2018

Kanata Wolf’s first film, Smokin’ On the Moon (Japan 2017) had its International Premiere as part of the 17th New York Asian Film Festival.  The film stars Arata Iura and Ryo Narita as two aimless thirty-somethings, living weed-filled blissful lives … Continue reading

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CSB Interview with Richard V. Somes, Director of We Will Not Die Tonight – NYAFF 2018

Richard V. Somes’s film, We Will Not Die Tonight (Philippines 2018) has its World Premiere tonight, June 29, as part of the 17th New York Asian Film Festival.  The film stars Erich Gonzales as Kray, a down-on-her-luck stuntwoman who stumbles … Continue reading

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Review: Dynamite Graffiti (Japan 2018) – NYAFF 2018

The 17th New York Asian Film Festival kicks off tonight at Lincoln Center and I could not be more excited.  I’ve been coming to Subway Cinema’s annual extravaganza’s since before they even were the NYAFF, and they’ve never once failed … Continue reading

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Review: Heavy Trip aka Hevi Reissu (Finland 2018) – Cinepocalypse 2018

As a region, Scandinavia only has a few instantly recognizable cliché cultural exports. Smoked fish, 70’s art porn, IKEA … and the blackest of black metal.  I’m not much for the others, but I’ve been fascinated with the Scandinavian metal … Continue reading

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Review: Downrange (USA 2018)

Downrange is the latest step in Japanese director Ryuhei Kitamura’s gradual move into the US market. Kitamura follows in the footsteps of luminaries of Asian cinema like Tsui Hark and John Woo, who were also set out to toil in … Continue reading

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Review: Mom and Dad (USA 2017)

Mom and Dad, the latest film from Brian Taylor, one-half of the pair of madmen behind the miraculous Crank films, is similarly … well, apeshit bananas for lack of a better term. Taylor, working from his own screenplay, posits a … Continue reading

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Review: Cold Hell aka Die Hölle (Austria/Germany 2017)

Cold Hell is a nasty little treat. I was expecting a thriller, but not a full-blown modern giallo. Cold Hell revels in the lurid sexualized violence and the neon washes and shadows of the best of Dario Argento and Sergio … Continue reading

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